Five Year Anniversary Post!

Photo: Snowmanradio

This week marks my five year anniversary of blogging. I have blogged consistently over these years for a total of 297 posts.

I will be making some changes to this blog over the next year. I will be updating the blog’s appearance and transferring it over to my main site hearthmoonrising.com. I will be transferring my webinar page over to that site as well and, yes, I will be teaching some online classes this year. I will also be transferring everything to a new site host, and while I hope to archive the whole five years you might want to cache any pages you have bookmarked so they aren’t lost to you.

I don’t know what is going on with my Tumblr blog. I have not been able to log into my dashboard or to access the Tumblr homesite since mid December, although my past Tumblr posts are still showing. I suspect that this is related to the denial-of-service attack on Tumblr about this time, but it could be another attempt to punish me for my feminist political views, as I notice that other radical feminists whom I follow have not posted for some time. My Facebook account was briefly suspended a few years ago in response to a blog post here. Compared to other feminists, I have not suffered much of this abuse, probably because I don’t write much about politics, but I am very aware that my access to social media is tenuous and this is one reason I blog so consistently. If you haven’t seen me for awhile on Facebook or Twitter, come back and check the blog. Also, sign up for my mailing list to stay in touch. The link is at hearthmoonrising.com. I do a mass email about four times a year.

I will probably be letting the Tumblr site go. I’m annoyed that they are putting advertising on my site, and I don’t enjoy going to the Tumblr dashboard anymore because of the distracting videos that assault me from the corner of my eye. I haven’t been able to find software that will disable these particular videos, and I don’t think this is good for my vision. Fortunately the adverts on my Tumblr site itself are static, but I don’t like advertising on my webpages, especially since I’m not getting any of that income. I understand that Tumblr has to bring in revenue, so I tolerated the advertisements on my news feed until they got entirely too obnoxious, but I think I’ve had enough.

My next book is in production, and I will be posting more about that in the coming weeks. I wish to thank my readers and those who have linked and commented here for making these five years possible. Here’s to another great year of thought, worship, and study.

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New Year 2017

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A Hare at Heart Lake

So again I am musing, as I do every winter, about the plethora of Snowshoe Hare tracks with no Hares in sight. Yet during this outing I did spy a Great Horned Owl gliding between the branches. Snowshoe Hares are hard to spot, but I suspect this owl is up to the challenge. In most photos it’s taken me about a minute to spot the Hare even though the frame is small and I know it’s there. I’ll bet these bunnies are all around me and I just don’t see them.

I’m more and more aware that it’s not just the trees, rocks, and water that witness my presence in the woods. All around me are eyes peering behind twigs and bushes. I’m never alone.

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While the Sun is in Her Southern Domicile

Illustration by Anton Hartinger.

 

Well, I got my manuscript polished and sent off this week. Now it’s time to buy presents and send cards, and to take a break both from work and getting worked up. Happy Solstice, Yule, Christmas, Hannukah, Kwanzaa, or whatever other holly/holy day you celebrate!

Bright blessings,
Hearth Moon

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No articles, no photo essays, no poems today

No reviews either. I’m getting ready to submit the manuscript for my next book so I’m a bit distracted from blogs and blogging. I’ll let my cat Samhain handle the post this week. This picture was taken right after she threw my pen on the floor. Part of an international cat conspiracy to infiltrate the homes of writers and decrease the output of literature. Cats do not like books.

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The Antler Wagon

I’ve written a lot about deer, especially reindeer, this year. Here is a poem about the Saami reindeer sun goddess Beiwe.

She rides across heaven in antler wagon.
She rides across heaven in antler wagon.
Holding her daughter, she defines the day.
Holding her daughter, she defines the day.
She crosses antler heaven holding her daughter,
defining a day in the wagon ride.

Bring peace to hearts in the blackness.
Bring peace to hearts in the blackness.
Offer red blood of white reindeer.
Offer red blood of white reindeer.
In the heart of the blackness offer red blood.
White reindeer bring peace.

Bring light to wake forest in springtime.
Bring light to wake forest in springtime.
Make rings of birch branches.
Make rings of birch branches.
Birch forest light rings, bring branches, make
time wake the spring.

Her reindeer daughter brings heart. Her reindeer
antlers hold the light of day. In the
forest she wakes blood in birch. Time
branches, crosses heaven, makes
an offering. Black, red, white define
the wagon ride. Peace.

Photo: Alexandre Buisse/Wikimedia Commons.

Photo: Alexandre Buisse/Wikimedia Commons.

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Censorship is Global*

One of the banned zines.

One of the banned zines.

I don’t know how many of my readers are aware of the banning of a feminist from New Zealand from the Wellington Zinefest for her political beliefs.** Renee Gerlich had her registration refunded and was asked not to participate in the festival after organizers became aware of her peaceful activities protesting the sex industry through art and an article on her blog criticizing the medical transitioning of children. She was told that “your presence at zinefest would jeopardise the safety of our queer and trans artists, people we have worked hard this year to protect and create a safe space for.” That the zines Gerlich planned to sell at her booth were themselves inoffensive to the organizers did not matter.

Banning somebody from purchasing a booth at a festival because you don’t like something they once wrote on their blog? Really?

This attitude recalls the disinvitation by the Norwegian government a few years ago of Janice Raymond, who was scheduled to present a paper on prostitution. She wrote a book over thirty years ago on a different topic that had become objectionable to trans activists. Granted, the New Zealand example is on a small scale, grassroots level, but this exemplifies how censorship of feminists is being waged across the liberal/left spectrum, perpetrated by both government officials and scruffy anarchists. It is a censorship project underway from the far north to the far south and everywhere in between.

The phrase “safe space” is fast becoming a code word for “censor and suppress free speech.” Donald Trump used the phrase, albeit loosely, a week ago in denouncing the cast of the play Hamilton for calling out Vice President-elect Michael Pence. “The theatre must always be a safe and special place,” Trump tweeted. It is only fitting that the so-called “safe” phraseology of censorship should be put to use by fascists since it embodies a fascist concept. The tools male supremacists on the left/liberal spectrum have in desperation pioneered to assert dominance over females within their movements will increasingly be put to extreme rightwing uses. Look for “inclusivity” to move beyond its current usage as a rationale for excluding radical feminists from the public discourse, and get ready for it to exclude those who threaten the “safe space” of white supremacists and Christian fundamentalists.

Since they monitor everybody’s blogs, I suppose I am never going to have a booth at the Wellington Zinefest. And as for the Norwegian government: don’t bother to invite me. I’m sure I also wrote something thirty years ago you wouldn’t like.

*Apologies to Robin Morgan; it just fit so well.

**Thanks to stop trans chauvinism for directing me to writing by renee.

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Medusa in Art

I’ve been looking at art work of the goddess Medusa lately, and I’ve been surprised at the amount and breadth of art that is available on this goddess. I was aware of a few much-reproduced classical images and also aware that Medusa is a popular subject among contemporary artists, but the scope of art involving Medusa was surprising even to me. Of course, the amount of historical art available under Creative Commons and Public Domain licenses is to some extent reflective of the popularity of the subject in the early 21st century. Still, there is far too much material to ascribe its availability solely to fashion and fad.

Medusa is the Greek goddess who turned everyone who looked upon her face to stone. She has been depicted and described as both unspeakably beautiful and horrifyingly ugly. Medusa is also referred to as “the Gorgon,” a woman with snakes growing out of her head like hair. Some classical writers insisted that there were two other Gorgons, sisters to Medusa and unlike her immortal. The hero Perseus took up the challenge of slaying Medusa, a task with logistical difficulties since he had to behead her without gazing upon her.

Artwork with Medusa as a theme can be divided into six categories: Greek archaic, classical Greece, Greco-Roman, Renaissance, Romantic, and postmodern (“postmodern” referring here to the time period from 1970 to the present, not to the political philosophy). Art depicting Medusa seems to be varied in all time periods, though the Perseus theme was popular in all periods up to the Romantic, so the following examples from each period are not representative.

Plate with Medusa in center surrounded by sphinxes, sirens, and  animals.  Greece, 660 B.C.E. Source: Walters Art Museum.

Plate with Medusa in center surrounded by sphinxes, sirens, and animals. Greece, 660 B.C.E. Source: Walters Art Museum.

Detail of a pair of Gorgons on handle of vase depicting a wedding scene. Greece, 350 B.C.E.  Source: Zde/Wikimedia Commons.

Detail of a pair of Gorgons on handle of vase depicting a wedding scene. Greece, 350 B.C.E. Source: Zde/Wikimedia Commons.

Roman mosaic of Medusa. 300 C.E. Photo: Carole Radatto.

Roman mosaic of Medusa. 300 C.E. Photo: Carole Radatto.

Perseus (left) with sword raised to decapitate Medusa. Baldassare Peruzzi,1510.

Perseus (left) with sword raised to decapitate Medusa. Baldassare Peruzzi,1510.

Medusa, bust by Harriet Hosmer, 1854.  Minneapolis Institute of Art.

Medusa, bust by Harriet Hosmer, 1854. Minneapolis Institute of Art.

Medusa Masquerade at 2011 WonderCon. Source: The Conmunity - Pop Culture Geek.

Medusa Masquerade at 2011 WonderCon. Source: The Conmunity – Pop Culture Geek.

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Review: Female Erasure

femaleerasure

Regular readers of this blog are aware of what I think about censorship. (I don’t like it, even if you think your views are correct.) When the forthcoming publication of Female Erasure was announced less than a year ago, an attempt was made to derail editor Ruth Barrett’s fundraising for the book through Indiegogo, thereby guaranteeing that I would order an advance copy and review the book. Barrett is a well-known Dianic priestess who has received a great deal of criticism, harassment, and no-platforming for her defense of born-women-only space.

I was impressed with the thickness of the book in this age of slim cost-conscious publishing. I read some feminist theory, and I have followed this issue closely for the past five years, so I had already read many of the excerpts in the volume. Still there were a lot of new articles here.

I think the crux of the issue of transgender rights clashing with the rights of females is described in the article by attorney Maya Dillard Smith, “Federal Court’s Denial of Obama’s Transgender Bathroom Directive A Win for Everyone.” Obama’s directive on transgender rights was made without the customary public input period for Federal rules, forcing agencies and citizens to comply without debate or comment. Dillard Smith is discussing this from a US Federal legal perspective, of course, but her insights apply to a variety of religous, social, educational, and legal situations. “Trans women are women; end of discussion,” transgender advocates have decreed in exactly those words, demanding public adoption of this belief with no examination of what it implies. The contributors to this anthology have disobeyed this injunction by exploring some uncomfortable implications of transgender advocacy for the rights of biological females.

Some of the issues covered in the book are transitioning of gay children, lesbian rights, reproductive issues, prisons, girls’ athletics, racial perspectives, and feminist political organizing. I found Carol Downer’s explanation of the philosophical underpinnings of transgender “queer” theory helpful, though dense and difficult as all queer theory tends to be. Many will be interested in Barrett’s “The Attack on Female Sovereign Space in Pagan Community.” Too many people think they understand this issue through oversimplified slogans about “inclusivity.” Barrett and many other writers here take the trouble to explain the history and background behind feminist positions.

Other contributors are lawyers, feminist theorists, journalists, medical professionals, activists, parents, and detransitioned adults. For people who think transgender issues are only about bathrooms, this book is required reading.

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The Goddess in America is Out!

goddessamerica

The long-awaited Moon Books anthology, The Goddess in America, was released in the past week. I wrote the lead article for this volume, about the contributions of Native Americans to the Goddess Movement. There are also articles in the first section exploring Cherokee, Hopi, and Mayan perspective on female deity.

I was expecting something similar to Naming the Goddess here, but I was pleasantly surprised to see articles exploring the impact of The Goddess in a number of areas rather than a regional version of that anthology. Articles explore The Goddess in shamanistic, Christian, healing, archetypal, and Craft contexts. I was pleased to see an in-depth article on Voodoo and an article on Hebrew goddesses. Jhena Telyndru does justice to the issue of cultural appropriation by acknowledging the “rock and a hard place” that Americans without indigenous heritage face in pursuing a Goddess spiritual path, with some arguing that immigrants have already taken too much from Native peoples and others objecting to the idea of transplanting the worship of European deities from their sacred locale. I was prepared to take exception to Phoenix Love’s article on The Goddess and pop culture, but instead found a provocative exploration of how popular culture furthers as well as hinders a meaningful relationship with Goddess energy.

This anthology gives a lot in terms of variety, breadth, and surprising food for thought. There’s a lot of meat here, and if you think you already know the American Goddess Movement this book may surprise you.

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