Category Archives: Greek
I’ve been looking at art work of the goddess Medusa lately, and I’ve been surprised at the amount and breadth of art that is available on this goddess. I was aware of a few much-reproduced classical images and also aware that Medusa is a popular subject among contemporary artists, but the scope of art involving Medusa was surprising even to me. Of course, the amount of historical art available under Creative Commons and Public Domain licenses is to some extent reflective of the popularity of the subject in the early 21st century. Still, there is far too much material to ascribe its availability solely to fashion and fad.
Medusa is the Greek goddess who turned everyone who looked upon her face to stone. She has been depicted and described as both unspeakably beautiful and horrifyingly ugly. Medusa is also referred to as “the Gorgon,” a woman with snakes growing out of her head like hair. Some classical writers insisted that there were two other Gorgons, sisters to Medusa and unlike her immortal. The hero Perseus took up the challenge of slaying Medusa, a task with logistical difficulties since he had to behead her without gazing upon her.
Artwork with Medusa as a theme can be divided into six categories: Greek archaic, classical Greece, Greco-Roman, Renaissance, Romantic, and postmodern (“postmodern” referring here to the time period from 1970 to the present, not to the political philosophy). Art depicting Medusa seems to be varied in all time periods, though the Perseus theme was popular in all periods up to the Romantic, so the following examples from each period are not representative.
Another excerpt from my book-in-progress. Crows and ravens are conflated in ancient Greek myth.
A less familiar goddess who has a link with crows is Coronis. She is one of the Hyades, the seven sisters of light who are rain-makers. Olympic genealogy has her the parent with Apollo of the healing god Asclepius. She is also tied to Apollo in a story where the mistrustful Apollo sends a crow to spy on the goddess, and she does indeed cheat on him with another god. Apollo has Coronis bumped off by his sister and punishes his crow for not halting the liaison by changing him from white to black. This story accomplishes three things: 1) it solidifies Apollo’s ownership of the crow while denigrating the crow at the same time; 2) it explains why the god of light would have a black emblem; and 3) it justifies usurpation of the goddess’s cult by making her demise a result of her own betrayal. Reading into this story a bit, I would guess the unruly priestesses of Coronis resisted the cult of Apollo effectively for awhile.
The goddess Athena is believed to have turned Coronis herself from a white crow into a black crow. This is why the raven rests on the bust of Pallas in the Edgar Allan Poe narrative “The Raven.” Pallas is another name for Athena. The story goes that Coronis brought Athena some bad news, and the goddess in a rage changed the feathers of Coronis from white to black and banished her from the Acropolis. I disagree with those who categorize the crow as a familiar of Athena on the basis of this story. I think crows and ravens were banished from Athena’s temples because her priests wanted owls to nest there. Crows like to nest in high places (hence the term “crow’s nest”), and they mob owls. The purpose in the mobbing is to defend chicks and eggs from owl predation, and yet crows seem from our perspective to pursue owls with an unnecessary vehemence, seeming to attack them on principle. At any rate the two birds could not have cohabitated, so crows would have to be banished from Athena’s domain. In addition to firmly linking Coronis with the crow, this story again makes the crow an oracular bird.